Drop C♯ Tuner

Tune your guitar to Drop C♯ (C♯ G♯ C♯ F♯ A♯ D♯) using your microphone. The tuner below is already set — press Start Recording and pluck a string.

Standby

Auto-select string

Switches to string automatically

C♯2

Target 69.30 Hz

FLAT
SHARP

Action Required

Start tuner and pluck highlighted note.

Peg Rotation & Offset

Standby

Headstock Alignment

Tap a peg to tune that string specifically.

Instrument

Tuning Preset

Reference Pitch

A4 = 440 Hz

Concert pitch for A4. 440 is the standard; many orchestras use 442.

Quick Tuning Guidelines

  • 1.Tap the Start Recording button at the top to initialize your microphone.
  • 2.Pluck one string cleanly at a time. Let it vibrate naturally to get a continuous frequency reading.
  • 3.Adjust your tuning pegs until the dial centers in the green zone (around 0 cents).
  • 4.Watch indicators: amber is the currently selected note, green is the automatically detected audio feed.

String-by-String Frequency Chart

These are the exact target frequencies this tuner listens for, at A4 = 440 Hz equal temperament. String 1 is the thinnest (highest) string.

StringNoteFrequency
6C♯269.30 Hz
5G♯2103.83 Hz
4C♯3138.59 Hz
3F♯3185.00 Hz
2A♯3233.08 Hz
1D♯4311.13 Hz

How to Use This Drop C♯ Tuner

  1. Press Start Recording on the tuner above and allow microphone access.
  2. The Drop C♯ preset is already selected, so the tuner listens for C♯ G♯ C♯ F♯ A♯ D♯.
  3. Bring strings 5 to 1 down one semitone each: A→G♯, D→C♯, G→F♯, B→A♯, E→D♯.
  4. Then lower string 6 by three semitones, from E to C♯ (69.30 Hz).
  5. Go round all six strings a second time. Lowering six strings at once takes tension off the neck, and the first ones you tuned will have drifted slightly.

Already in half step down? Then you only need to move one string. Lower the 6th string from E♭ to C♯ — exactly one whole step — and you are in Drop C♯. That is the same move as going from standard tuning to Drop D, which is why this tuning is so popular with bands that already play in E♭.

What is Drop C♯ Tuning?

Drop C♯ is C♯ G♯ C♯ F♯ A♯ D♯, low to high: Drop D with every string lowered by a semitone. The top five strings sit in the same intervals as standard tuning, so chord shapes on them do not change, while the bottom three form a C♯ power chord when played open.

It sits between Drop D and Drop C. Compared with Drop D it is a little darker and looser; compared with Drop C it keeps more tension and stays playable on the strings most guitarists already have on.

Why Players Choose Drop C♯

  • It pairs with half step down. A lot of rock is recorded in E♭ standard to suit the singer. If the band is already tuned down a half step, Drop C♯ is the natural drop tuning: one string to change, and every song in E♭ still works on the top five strings.
  • One-finger power chords. With the low three strings in a fifth and an octave, a single finger barred across them at any fret gives a power chord — the riffing style Drop D is known for, a semitone lower.
  • Easier on the voice. Taking the whole guitar down a semitone takes the songs down with it. For a singer working at the top of their range, that semitone can be the difference between reaching a chorus note and straining for it.
  • Low setup cost. Unlike Drop C or Drop B, most guitars handle Drop C♯ on their existing strings with at most a heavier 6th string.

Strings and Setup

String tension rises and falls with the square of the pitch, so small changes in tuning add up. In Drop C♯, strings 1 to 5 are one semitone down and keep about 89% of their standard tension. The 6th string drops three semitones and keeps only about 71% — that is where you will feel the difference.

  • .010–.046 sets play fine on the top five strings but the low C♯ can feel loose and fret out when you dig in.
  • .010–.052 heavy-bottom sets are the common choice: standard feel on top, a firm low string.
  • .011–.052 or .011–.054suit players who pick hard or play shorter-scale guitars such as a 24.75″ Les Paul, where the same note has less tension than on a 25.5″ Strat-style neck.

The string tension calculator shows the exact tension of your current set in Drop C♯ and suggests gauges that restore the feel of standard tuning. If you change gauges, check intonation afterwards; a floating tremolo will also need its springs rebalancing.

Checking Drop C♯ by Ear

Once one string is right, you can check the rest against each other. Fret the 6th string at the 7th fret and compare it with the open 5th string — in a drop tuning it is the 7th fret, not the 5th. After that, the usual pattern applies: 5th fret of the 5th string matches the open 4th, 5th fret of the 4th matches the open 3rd, 4th fret of the 3rd matches the open 2nd, and 5th fret of the 2nd matches the open 1st. A quicker check for the low string alone: its 12th-fret harmonic should match the open 4th string exactly, since both are C♯3.

Troubleshooting

The low string reads an octave high. The microphone is hearing the second harmonic louder than the fundamental. Pluck with the flesh of your thumb rather than a pick and move the phone a little closer to the body of the guitar.

Chords sound fine open but sour higher up. That is intonation, not tuning. A heavier 6th string or the change in tension moves the point where the string plays in tune at the 12th fret.

Songs in tabs are marked “Drop D♭”. Same tuning. Use this page as it is.

Related: half step down tuner (the same tuning with the 6th string at E♭), Drop D tuner, and Drop B tuner for going lower still. Every tuning in one table: the guitar tunings chart.

Frequently Asked Questions

What are the notes in Drop C# tuning?

C# G# C# F# A# D#, from the lowest string to the highest. Written with flats it is Db Ab Db Gb Bb Eb, which is why the same tuning is also called Drop Db. The notes and frequencies are identical; only the spelling differs.

Is Drop C# the same as Drop D tuned down a half step?

Yes. Every string is a semitone lower than Drop D, so the intervals between strings are the same and every Drop D riff and chord shape works unchanged. It is also half step down tuning (Eb standard) with the 6th string dropped one more whole step.

Do I need new strings for Drop C#?

Usually not a whole new set, but a slightly heavier one helps. Five strings lose only about 11% of their tension, which a .010 set handles well. The 6th string loses about 29%, and that is the one that starts to flop. A .010–.052 heavy-bottom set is the most common fix.

Why does the tuner struggle with my low C#?

C#2 vibrates at 69.30 Hz, low enough that small phone and laptop microphones pick up its overtones more strongly than the note itself. Pluck firmly with the neck pickup or over the soundhole, mute the other strings, and let the note ring for a second before reading the needle.

Should I write it as C# or Db?

Either is correct. Guitarists and tab sites mostly say Drop C#; players coming from Eb standard often say Drop Db because their other strings are already named with flats. This tuner shows sharps, matching how the tuning is most often searched for and written in tabs.

Other Tunings